Irish music enthusiasts gather at a pub to play and drink beer
A pub session (seisiún in Irish Gaelic; seshoon in Manx Gaelic) refers to playing music and/or singing in the relaxed social setting of a local pub, in which the music-making is intermingled with the consumption of ale, stout, and beer and conversation. Performers sing and play traditional songs and tunes from the Irish, English, Scottish and Manx traditions, using instruments such as the fiddle, accordion, concertina, flute, tin whistle, uilleann pipes, tenor banjo, guitar, and bodhrán.
Singing and drinking have happened together from ancient times, but written evidence is fragmentary until the 16th century. In Shakespeare's Henry IV, Hal and Falstaff discuss drinking and playing the "tongs and the bones". There are good depictions of pub singing in paintings by Teniers (1610–1690) and Brouwer (1605/6-1638) but the best ones are by Jan Steen (1625/5-1656).
1800 to 1950
The 1830 Beer Act abolished the levy on beer and quickly doubled the number of pubs in England. The number peaked in the 1870s and declined after 1900. By the 1850s, an increasing number of student songs and commercial song-books were published across Europe. The most famous was the Scottish Students' Song Book by John Stuart Blackie (1809–1895). The mixture of traditional songs with hints of erotic humour continues to this day. The Irish tradition also benefited from the compilation of O'Neill's Music of Ireland, a compilation of 1, 850 pieces of Irish session and dance music, published initially by Francis O'Neill (1848–1936) in 1903.
One of the most popular drinking songs, "Little Brown Jug, " dates from the 1860s. By 1908 Percy Grainger had begun to record folk singers, but not in their natural habitat—the pub. In 1938 A.L. Lloyd persuaded his employers at the BBC to record the singers in the Eel's Foot pub in Eastbridge, Suffolk.
At The Eel's Foot, 1939–47, the songs performed included: "False Hearted Knight", "The Dark-Eyed Sailor", "The Princess Royal", "The Foggy Dew", "Underneath Her Apron", "Pleasant and Delightful", "The Blackbird." Surprisingly, one of the songs was "Poor Man's Heaven" an American IWW song (Industrial Workers of the World), dating from about 1920. The oldest singer there was William "Velvet" Brightwell (1865–1960). In 1947 the BBC made more recordings there and broadcast them as "Anglia Sings" on 19 November 1947. Almost all of the participants were in their 50s and 60s. Six years later the first folk club opened in Newcastle upon Tyne, and the average age was in the 20s.
InstrumentsVarious instruments being played at a pub session
The fiddle has predominated since the 17th century. The melodeon became popular in the 1890s. By the 1950s the accordion took over, particularly in Scotland. By the 1960s the guitar was the instrument most frequently heard in a pub. Nowadays so many people can afford instruments that ensemble playing is the norm. Celtic tunes are popular, even in England, however English music is enjoying a large revival currently, due in part to 'new-folk' artists playing traditional English music, such as Bellowhead and Eliza Carthy. Some people go to folk festivals simply in order to play along with others in the beer tent.
Choosing an instrument
Each session has its own informal rules as to which instruments are acceptable and in what number. Some sessions may have a strict "'traditional' instruments only" rule whereas others will accept anyone who shows up to play with any instrument. The word traditional is used loosely as sessions themselves are a relatively recently revived phenomenon and some instruments considered 'traditional, ' such as the bouzouki are in fact relatively new to the genres played at a session. It is wise to ask about what is expected at a particular session before bringing a non-'traditional' instrument.See also: